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The Union of Slavic Dynasties Måleriet identifieringen:: 92261
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The Union of Slavic Dynasties 1924(1924)
Medium oil on canvas
Dimensions 480 X 405 cm (189 X 159.4 in)
cyf 1924(1924)
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Medium_oil_on_canvas
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Dimensions_480_X_405_cm_(189_X_159.4_in)
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cyf
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Spring Måleriet identifieringen:: 93795
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Spring 1896(1896)
Medium oil on panel
cjr 1896(1896)
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Medium_oil_on_panel
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cjr
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Autumn Måleriet identifieringen:: 93817
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Autumn 1896(1896)
Medium oil on panel
cjr 1896(1896)
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Medium_oil_on_panel
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cjr
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Slavs in their Original Homeland: Between the Turanian Whip and the sword of the Goths Måleriet identifieringen:: 97928
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Slavs in their Original Homeland: Between the Turanian Whip and the sword of the Goths 1912(1912)
Medium oil on canvas
Dimensions 810 x 610 cm
cyf 1912(1912)_
Medium_oil_on_canvas_
Dimensions_810_x_610_cm__
cyf
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A Brothel Converted to a Convent Måleriet identifieringen:: 98084
Titta min galleri i Sverige
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A Brothel Converted to a Convent 1916(1916)
Medium oil on canvas
Dimensions 405 x 620 cm
cyf 1916(1916)_
Medium_oil_on_canvas_
Dimensions_405_x_620_cm_
cyf
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| Föregående Konstnär Nästa Konstnär
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Alfons Mucha
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known in English as Alphonse Mucha, was a Czech Art Nouveau painter and decorative artist, known best for his distinct style. He produced many paintings, illustrations, advertisements, postcards, and designs.
Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. During 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.
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